Portal:The arts/Selected quote
Instructions[edit]
- The layout design for these subpages is at Portal:The arts/Selected quote/Layout.
- These Quotes subpages are randomly displayed using {{Random subpage}}.
- Select a new quote attributed to a different individual than any of those currently quoted below.
- Quotes must each be from an individual with and existing biographical article on Wikipedia.
- Quotes should each have an accompanying free-use image relating to the author.
- Add a new Quote to the next available subpage, using the layout format from the link above.
- Add a citation of where the quote was stated on that subpage below the quote.
- Update the "Random subpage" start and end values at the Main Portal page to include the new Quote.
Quote list[edit]
Portal:The arts/Selected quote/1
| “ | It is not beauty that endears; it’s love that makes us see beauty. | ” |
— Leo Tolstoy, War and Peace (1869)
Portal:The arts/Selected quote/2
| “ | Pop art is the inedible raised to the unspeakable. | ” |
— Leonard Baskin, Publishers Weekly (April 5, 1965)
Portal:The arts/Selected quote/3
| “ | The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. | ” |
— Marcel Duchamp, The Creative Act (1957)
Portal:The arts/Selected quote/4
| “ | Drawing is the honesty of the art. There is no possibility of cheating. It is either good or bad. | ” |
— Salvador Dalí, People (September 27, 1976)
Portal:The arts/Selected quote/5
| “ | I adore art... when I am alone with my notes, my heart pounds and the tears stream from my eyes, and my emotion and my joys are too much to bear. | ” |
Portal:The arts/Selected quote/6
Portal:The arts/Selected quote/7
Portal:The arts/Selected quote/8
| “ | I don't want to produce a work of art that the public can sit and suck aesthetically ... I want to give them a blow in the small of the back, to scorch their indifference, to startle them out of their complacency. | ” |
Portal:The arts/Selected quote/9
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| “ | It [the movie art form] combines so many other art forms, as do theater and opera, but the essence of cinema is editing. It's the combination of what can be extraordinary images, images of people during emotional moments, or just images in a general sense, but put together in a kind of alchemy. A number of images put together a certain way become something quite above and beyond what any of them are individually. | ” |
Portal:The arts/Selected quote/10
| “ | Whereas money is a means to an end for a filmmaker, to the corporate mind money is the start. Right now, I think independent film is very confused, because there's excess pressure in the marketplace for entertainment to pay off. Entertainment has pervaded every system of information in our culture, and along with it comes the promise of money. So it's hard for artists not to keep half an eye on what works commercially as they go about realizing their visions. As a young filmmaker, you've got to deliver, and you've got to deliver fast these days; that wasn't the case twenty years ago. | ” |
— Robert Redford, 1997
Portal:The arts/Selected quote/11
| “ | That there is a social problem presented by obscenity is attested by the expression of the legislatures of the forty-eight States, as well as the Congress. To recognize the existence of a problem, however, does not require that we sustain any and all measures adopted to meet that problem. The history of the application of laws designed to suppress the obscene demonstrates convincingly that the power of government can be invoked under them against great art or literature, scientific treatises, or works exciting social controversy. Mistakes of the past prove that there is a strong countervailing interest to be considered in the freedoms guaranteed by the First and Fourteenth Amendments. | ” |
Portal:The arts/Selected quote/12
| “ | What the mass media offers is not popular art, but entertainment which is intended to be consumed like food, forgotten, and replaced by a new dish. | ” |
Portal:The arts/Selected quote/13
Portal:The arts/Selected quote/14
| “ | Observe the accommodation of the most common artificer or daylabourer in a civilized and thriving country, and you will perceive that the number of people, of whose industry a part, though but a small part, has been employed in procuring him this accommodation, exceeds all computation. The woollen coat, for example, which covers the day-labourer, as coarse and rough as it may appear, is the produce of the joint labour of a great multitude of workmen. The shepherd, the sorter of the wool, the wool-comber or carder, the dyer, the scribbler, the spinner, the weaver, the fuller, the dresser, with many others, must all join their different arts in order to complete even this homely production. How many merchants and carriers, besides, must have been employed in transporting the materials from some of those workmen to others who often live in a very distant part of the country? How much commerce and navigation in particular, how many ship-builders, sailors, sail-makers, rope-makers, must have been employed in order to bring together the different drugs made use of by the dyer, which often come from the remotest corners of the world? What a variety of labour, too, is necessary in order to produce the tools of the meanest of those workmen! To say nothing of such complicated machines as the ship of the sailor, the mill of the fuller, or even the loom of the weaver, let us consider only what a variety of labour is requisite in order to form that very simple machine, the shears with which the shepherd clips the wool. The miner, the builder of the furnace for smelting the ore the feller of the timber, the burner of the charcoal to be made use of in the smelting-house, the brickmaker, the bricklayer, the workmen who attend the furnace, the millwright, the forger, the smith, must all of them join their different arts in order to produce them. | ” |
Portal:The arts/Selected quote/15
| “ | In my view, the composer, just as the poet, the sculptor or the painter, is in duty bound to serve Man, the people. He must beautify human life and defend it. He must be a citizen first and foremost, so that his art might consciously extol human life and lead man to a radiant future. Such is the immutable code of art as I see it. | ” |
Portal:The arts/Selected quote/16
Portal:The arts/Selected quote/17
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Portal:The arts/Selected quote/18
| “ | A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself. What a man can be, he must be. | ” |
Portal:The arts/Selected quote/19
| “ | "…life will not perish! It will begin anew with love; it will start out naked and tiny; it will take root in the wilderness, and to it all that we did and built will mean nothing—our towns and factories, our art, our ideas will all mean nothing, and yet life will not perish! Only we have perished. Our houses and machines will be in ruins, our systems will collapse, and the names of our great will fall away like dry leaves. Only you, love, will blossom on this rubbish heap and commit the seed of life to the winds. | ” |
Portal:The arts/Selected quote/20
| “ | All the world's a stage / And all the men and women merely players / They have their exits and their entrances / And one man in his time plays many parts ... | ” |
Nominations[edit]
New quotes may be nominated on the talk page.